Social Networks:

        

Contents of high priority:

Video blog:

• Cinóber group's - Városhatár-Létérzet
• "Kutyául nézünk ki"
• Dani Váczi: Lágy Lidércek
• Éva Kárpáti, Miklós Ligeti, Anna Holló Exhibition
• Péter Paizs Exhibition

Exhibition archives:

• Győri Márton: Makacs mosoly
• Zöllner Marcell Monocrom digilog
• Cinóber group's - Városhatár-Létérzet
• "Kutyául nézünk ki"

Special occasion Jewellery:

• Bague a Part
• Max Debraine
• Petra Meiren
• Sandrine Giraud
• Xavier Lubens

Books and Albums:

• A magyar festészet rejtőzködő csodái I.
• Képek a múltból
• Retrospektív 1975-2002
• Retusált művészettörténet
• A dévényi gyűjtemény

Other curiosity:

• Night of the art collectors
• Falk-Art Forum

Róza Osgyányi, Sára Osgyányi, Andrea Papageorgiu and Ildikó Titkó
(Cinóber group's) - exhibition

Artists:

Róza Osgyányi Sára Osgyányi Andrea Papageorgiu Ildikó Titkó

Members of the Cinóber Group: Papageorgiu Andrea, Osgyányi Sára, Titkó Ildikó, and Osgyányi Róza. The Cinóber painter group was formed in 2006 while we studied at the Hungarian University of Fine Art. Since 2002 we have been working together at our annual summer art camp in Visegrád.

"While using our own personal creative methods, we are still applying traditional painting technique. Within the framework of our chosen profession, our visual perspectives are colorful, eventful and diverse. The most characteristic features of our paintings are the true colors we use, and the expressive changes that we make to our forms. We are joined not only by our love for painting, but also by the bond of strong friendship and sisterhood. The foremost aim of our collective work is the intellectual connection between each other's art, the concentrated work at the art camps, and our shared desire to participate in the contemporary art life, creating publications, and producing group exhibitions.

The social sensitivity of our work is more concerned with the human psyche (which turns into the personal reality) than actual changes within society. First we look for answers in the personal problems of our painting. Our approach varies, but our subject and technique are similar. We are artistic voyeurs of the consumer society phenomenon and process. Our chosen subjects deal with symbols and the human condition simultaneously.

We are not trying to concern ourselves with iconoclasm, or the process of self-serving warnings. We believe that the artistic culture that has always wanted to become something new is now confined by a contemporary mentality that will return to traditional artistic values. Our above-mentioned relationship to art doesn't mean that we are protesting. We are only trying to protect modern painting from the largely multifaceted European contempory art mass."